![]() Lilla does interview Littorai winemaker Ted Lemon about organic farming. In 2020, Bayer agreed to a $10.9 billion settlement that it said would bring to closure about 75 percent of 125,000 claims. One would think that thousands of other lawsuits regarding Roundup would be a liability, but in the film, Lilla claims Bayer now makes more than $12 billion a year from Roundup alone. The award was reduced to $21 million after several appeals by Monsanto.īayer bought Monsanto in 2018 for $63 billion. Two frightening points that the film makes are that glyphosate can build up in the body over time, and that the other ingredients in Roundup, notably surfactants that make it easier to absorb, make glyphosate more dangerous than when it is tested by itself.Ī groundskeeper named Dewayne "Lee" Johnson sued Monsanto, makers of Roundup, after he developed non-Hodgkin's lymphoma, a deadly form of cancer, and won $289 million from a jury in 2018. Glyphosate has been or is scheduled to be banned in Germany, Mexico, Saudi Arabia and Vietnam. The World Health Organization has classified it as a "probable carcinogen". ![]() ![]() Lilla said it's so popular in the wheat industry that farmers now use Roundup on the crop right before harvest. The USDA found glyphosate in organic honey, oatmeal and baby food. Roundup use is so commonplace in the US, both in agriculture and for home gardening and lawn maintenance, that 75 percent of the rain in the US contains glyphosate, according to the film. The evidence Lilla assembles in the film is disturbing. "He said: 'I have vineyards around Healdsburg.' I said: 'What did you think?' He said: 'I think I need to stop using Roundup.'" "When we had a screening in Sebastopol, a man walked up to me and said: 'Thank you for showing this,'" Lilla said. If any Napa Green growers watch the film, they may have second thoughts. The film shows that those grapegrowers are behind the times, as the city of Napa has banned Roundup on city property, as has Sonoma County. In fact, Napa Green is a local "sustainability" program that allows growers to use Roundup. "There was a very in-depth discussion of Napa Green, and is it really green," Lilla told Wine-Searcher. Afterwards there was a panel discussion including Spottswoode winemaker/vineyard manager Aron Weinkauf and a wine buyer for Dry Farm Wines, a website that sells only organically grown wines. Lilla showed the film last week in a free screening at Cross Walk Community Church in Napa. But as soon as it finished, she came out and said: "We have to stop buying non-organic vegetables." It's that effective. My wife was working in the next room while I watched it English isn't her first language and I didn't think she was paying attention at all. Instead, it is an extremely effective scary documentary about the omnipresence and danger of Roundup and its active ingredient glyphosate. "Children of the Vines," despite the title and the Napa setting, isn't really a wine movie. ![]() Once there, he discovered grapegrowers spraying Roundup on their vines and it disturbed him enough to make a movie about it. That's one reason why they divide their audiences into such broad quadrants.© iStock | The use of Roundup in vineyards is an often unspoken issue in winemaking circles.ĭocumentary filmmaker Brian Lilla says he moved from Oakland, California to Napa to get away from gun violence, because he and his wife wanted to have kids. Ultimately, theater owners don't know as much about the people in their seats as streaming services might know about the person on the couch. Of course, none of that adult content should be inappropriate for young viewers, so this will preclude certain trailers intended for the "over 25" crowd. (This system may have internally evolved to also represent other forms of gender identity.) Trailers are matched with the quadrants they presume are in the theater watching them.įor instance, an animated film with a G-rating is going to have plenty of viewers under 25, but most will be there with their parents, who might be interested in some adult content. They often use something known as a " quadrant system" that divides cinema audiences into four groups: women under 25, men under 25, women over 25 and men over 25. On the simplest level, studios and theater owners try to pair trailers with the audience who'd presumably go see their associated film. A green-band trailer is always the color green and indicates that the preview is suitable for all ages.
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